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Mel is currently writing a new novel - set in the seaside town of Hastings about a group of "Baby Boomers" at a crossroads in their lives. Summer and autumn gigs with the Flying Chaucers, Jimmy Beckley Trio and Andy Smythe Band Here some vintage blues from the BBC's "Sounds Of The Sixties" with some archive photos of Mel's.
ROBERT ELMS RADIO SHOW Interview with Mel Wright about Margareta Berger-Hamerschlag
1pm Wednesday 17th June 2009
Museum of London - The Story of London Festival (2009)Thu 18 Jun, 1.10-2.10pm
Friday 6 March from 6pm
Author Mel Wright will be giving a talk about his book 'Beyond the jiving' about Austrian emigre artist, Margareta Berger-Hamerschlag's work with young people during 1950's. Her writing drawings and paintings stand as a remarkable social record of this turbulent time in the tough post war areas of Paddington and Kilburn. Everyone is welcome and advance booking is not necessary. Refreshments will be provided. ![]()
Paddington Library, Porchester Road, Paddington, London W2 5DU
Desmond Dekker – South London's King of Ska.
Mel Wright celebrates 40th Anniversary of Desmond Dekker’s first UK chart hit.
“Get up in the mornin’ slavin for bread, sir, so that every mouth can be fed.” You only have to hear Desmond Dekker’s falsetto, crooning patois opening line of The Israelites, his 1969 hit, to feel like dancing to the infectious reggae rhythm. Well before Bob Marley and the Wailers, and The Maytals made an impression on UK music scene, Desmond Dekker, born in Jamaica, 1942, Desmond Adolphus Dacres became a pioneer of reggae in UK, a style that would change popular music culture across the world. He was even referred to by name in The Beatles Ska influenced song Ob La Di, Ob La Da. And he lived in Lewisham!
Dekker originated from Kingston, Jamaica but he moved home to St Thomas area as a child when his mother died. After leaving school he was apprenticed as a tailor before returning to Kingston and becoming a welder which is when he took up singing seriously. Despite failing auditions with the infamous Jamaican record labels Studio One and Treasure Isle, the young Desmond was encouraged by singer Derrick Morgan and signed up by Leslie Kong of Beverly records who became a close friend and mentor. Named Desmond Dekker, in 1963 he recorded Honor Your Father and Mother and other songs before having a big hit in Jamaica with King of Ska which also led to the forming of his band, The Four Aces.
In July 1967 while British pop music was full of flower power, Dekker scored his first UK hit, the James Bond inspired 007 (Shanty Town) which reached No.14. But it was The Israelites in 1969 which he wrote and made him an international star. The record was the first reggae song to top UK charts. He toured Britain with The Aces and enjoyed the place so much he stayed! Settling in Lewisham, he lived in Leyland Road, Lee area. People noticed his dapper appearance strolling around Lewisham Market, leather pants and big rings on his gloved hands. He also played at The Albany in Deptford. He had a strong following in UK and although he had an on-stage gregarious style, according to his close friend and later manager, Delroy Williams at home he was a very private person.
Desmond’s music connected with the emerging rude boy trend as well as skinheads of whom he became an icon. His follow up record, "It Miek" became another top ten hit as did "You Can Get It If You Really Want", taken from the Jimmy Cliff film. Shortly after, Dekker was shaken by the sudden death of his record producer friend, Leslie Kong and later on, despite his hits and busy touring schedule, financial problems caused by his earlier poor management led to Desmond being declared bankrupt. However his career was revived in the Eighties with the Two Tone revival and bands like, Madness, Bad Manners, UB 40 and The Specials who appeared on Dekker’s album King of Kings.
Desmond Dekker continued to live at Devonshire Road, Forest Hill during Eighties and Nineties, still cutting a stylish local figure, wearing trousers cut high up the leg before they became fashionable. He cared about people in the area. In 2001 a local fan, Leroy Auguste was seriously ill in Lewisham Hospital after suffering a brain hemorrhage he was unable to speak. After being approached by the family Desmond called in on him and sang The Israelites by his bedside. It helped him to recover.
Finally, moving to Thornton Heath, Desmond died unexpectedly of a heart attack at his home on 25th May 2006. He was aged sixty four and still much in demand with a European tour lined up for that summer. Desmond Dekker paved the way for reggae music in UK and undoubtedly influenced many other Lewisham based performers including Mica Paris, Maxi Priest, Winston Groovey and Eddie Capone.
After Desmond’s death last year, The Mercury received many tributes to the reggae legend and Lewisham residents have suggested that a plaque be made to commemorate him and be placed outside his home in Devonshire Road, Forest Hill. Let’s hope it happens soon.
Spike Milligan – the jazz years
Spike Milligan, the genius behind the 50’s radio show the Goons, creator of much loved characters Neddie Seagoon, Eccles and Bluebottle, (and a towering influence over all innovative British comedy since, from Monty python onwards) spent his teenage years in Lewisham in a succession of dead-end jobs and playing jazz trumpet with various dance bands. It is interesting to speculate how much these experiences contributed to his sense of the absurd and zany view of life that informed so much of his later writing. A nostalgic streak runs through much of it, including references to our local area of which he once described, “Brockley, Land of my dreams!”
Spike, Terry Milligan was born in India. In 1933 the family came to UK settling in Lewisham when he was twelve years old. Spike’s father had lost his post in Rangoon, Burma serving in the British Army. Their life in south east Asia was comfortable and they had servants but on the family’s return they lived in Honor Oak and then Catford with a significant drop in their standard of living.
Spike went to school in Brownhill Road, Catford and later St Saviours School in Lewisham High Road. After a short spell at college in Woolwich he began work at fifteen as a clerk at Stones Engineering in Deptford for fifteen shillings a week. It was here that he met his first girlfriend, Nina Hall and after listening to jazz records at her home he became so besotted with the voice of crooner Bing Crosby that he was inspired to sing at local dances. With Nina’s encouragement he dressed up to the nines, splashed Brylcream on his hair to sang Temptation at the old Ladywell swimming baths and East of the Sun & West of the Moon at Lewisham Hippodrome where he won a talent competition.
At the height of the big band popularity and his exposure to jazz, Spike’s local success spurred him on. He signed up for music lessons at Goldsmiths College in New Cross and took up the double bass, guitar, and piano before settling on the trumpet. Again, Nina helped out and bought him an instrument which he quickly mastered. Dreaming of stardom, Spike’s unconventional lifestyle caused his parents concern after he got the sack from Stones and drifted from job to job. These included a laundry at Chislehurst and as a packer for Spiers & Ponds a local tobacco wholesaler where he was caught pocketing packets of cigarettes to sell in order to buy a better trumpet. Spike was arrested and charged with theft. His father spoke up for him in court and he was given an unconditional discharge. In the meantime he had bought himself a new gold plated trumpet for Ł25 from Len Stiles music shop in Lewisham High Road.
With his passion for jazz, Spike was spotted by bandleaders of local jazz bands. Tommy Brettell’s New Ritz Revels who he described as “a bunch of spotty musicians held together with hair oil,” The New Era Rhythm Boys, Bill Hall Trio and sometimes Spike promoted himself as Terry Milligan, the Wild Man of the Harlem Club Band! These ensembles played a variety of south London dance halls including St Cyprians Hall, Brockley and Lady Florence Institute, Deptford. It’s not hard to imagine how the humour on gigs and the art of improvisation were all good grounding for Spike’s later career in comedy. As the Thirties turned into the war years, Spike was called up for the army and left the area to be stationed in Bexhill On Sea, immortalised in his hilarious memoirs, ‘Hitler My Part In His Downfall,’ made into a film.
Spike always remained affectionate about his years living in Lewisham and kept in touch with some of his local friends from this era.
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